d&b solutions

The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor.

The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.

16 Input, 8 Output Stage Box with 16 MIDAS Microphone Preamplifiers

16 Input, 16 Output Stage Box with 8 MIDAS Microphone Preamplifiers and AES3 Digital Interface

24 Input, 24 Output Active Microphone Splitter with 2 Independent MIDAS Microphone Preamplifiers per Input.

48 Input, 16 Output Stage Box with 48 MIDAS Microphone Preamplifiers.

Modular Stage Box with 3 Card Slots and up to 24 Inputs and 24 Outputs

The M-48 is the next generation live personal mixer that offers musicians the flexibly to control exactly what they want to listen to during their performances. It provides the highest level of sound monitoring quality for both headphones and IEMs (In-Ear Monitors) as well as for wedge and powered monitors. The superb sound quality creates the ideal monitoring environment for live performance and recording as well as studio applications.

The Roland M-5000 console’s internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses. This allows you to essentially “build” a console structure based on the immediate needs of the application. This makes for a console that accommodates high levels of flexibility for precise response to dynamically changing applications and venues

The S-4000S-3208 is a component of the S-4000 Digital Snake System. It has 32 inputs, 8 outputs and redundant Ethernet connectors. It is typically used on the stage providing 32 mic/line inputs and 8 outputs or returns. Each channel has remotely switchable Phantom Power as well as a 20 dB pad.

With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.

Specifically designed for use with SB168-ES EtherSound stage boxes, the M7CL-48ES replaces the 48 internal head amps of the M7CL-48 with two EtherSound ports that provide plug-and-play connection to up to three SB168-ES units. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that “digital is difficult”. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope.