Mad Dogs Television

The VL-MR4T is a 2+2 charger, being able to charge two batteries at a given time. The operator can also use the 60W power supply at the same time as charging two batteries.

Atomos Shogun 7 is a precision HDR monitor/recorder/switcher designed for the film and video professional. It can be used as either a stand alone field monitor, recorder and switcher forevent, documentary and live in the field storytelling; or as a tool for large scale on set episodic TV, film and cinema productions where multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference across the field monitor ecosystem. Shogun 7’s portable size lets you monitor, analyse and tag while on set; and check how your content will look in your audience’s home via real-time DolbyVision output. With Shogun 7 you’re not locked into any format, camera manufacturer or pipeline. It is a completely flexible master recording and production station.

The 17-120mm T2.95 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 2.9 kg) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.

Based on the Micro Four Thirds System, the new LUMIX BGH1 offers increased flexibility and access to an extensive lens lineup, bringing together technologies Panasonic has acquired though the development of professional cinema cameras, camcorders and the LUMIX GH series. With today’s increased demand for streaming in addition to traditional broadcasting, the LUMIX BGH1 provides a versatile solution in the form of an easy-to-use expandable camera that can be used in multi-camera, drone, IP remote control and live-streaming environments.

Imagination in Motion. The Sony A7S III Full-Frame Mirrorless Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance. Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching. Іt’ѕ еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng іn bоth vіdео аnd ѕtіllѕ. The camera also features a full size HDMI output capable of outputting 16bit RAW to compatible recorders! Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу.

The brand new “Sony Alpha FX3 ILME-FX3” or FX3 as we’ll refer to it is Sony’s most compact “Cinema Line” camera. It’s well designed for solo-shooting, perfect on a gimble or compact rig. Think all the codecs/framerates/inputs you’d get on an FX6 (and even an FX9) and they’re all here. Well mostly. The little “niggles” from shooting on an A7s are thankfully gone with the FX3. With dedicated buttons for aperture, iris, white balance, recording, etc it makes it far quicker and initiative to operate. In built tally lights and fantastic autofocus when paired with Sony G-Master lenses this tiny camera is a filming powerhouse. The improved battery life over the A7s range also makes shoot with this little camera far more practical, and if you are setting up in an studio then our included dummy battery/power supply means you’ll never have to worry about power running out. Where this camera really shines is on a gimble like our Ronin RS2 and Tilta Float system, amazingly high quality, 4k, slowmo without breaking the bank, or you back in the process! With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus, Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections.

The Sony FX6 provides cinematic expression to professional filmmakers and freelancers of tomorrow. With a light and modular body, it seamlessly adapts to your style of shooting without compromising on video quality. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX6 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus, Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a unique Variable ND filter to maintain a cinematic look and changing lighting environments for more creative expressions. On top of its small form factor, the Sony FX6 includes a detachable smart handle and high-resolution LCD screen, heat dissipation system for long shooting hours and long battery life which makes it personable and stress-free for professional users. The Sony Cinema line FX6 is designed for the future of cinematic expressions.

FS7 II dramatically improves the experience of shooting with Sony’s ultimate documentary camcorder and is simply one of the world’s most versatile Super 35mm camcorders. A host of enhancements, from an all-new lens mount to world-leading Electronic Auto Variable ND system and enhanced ergonomics, transform the possibilities of what you can do. E-mount offers unsurpassed compatibility with both Sony and third-party lenses. And for FS7 II there’s an all-new lever lock design. Simply put the lens in place and rotate the collar until it locks in place. A lens release lever provides added security. The process of switching lens can be simplified to save time. And of course, the E-mount can take cinema lenses and SLR lenses with a third-party adaptor, as well as Sony’s E-mount and A-mount lenses. Whatever your lens requirements, FS7 II has you covered.

Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more. The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168. You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.

The popular PXW-X70 palm-sized camcorder continues to evolve with the addition of XAVC 4K (QFHD) 100Mbps* recordings at 30p/25p/24p, plus MPEG HD422 and MPEG HD420**, providing even more recording choices. It is possible to select an output from HDMI, SDI, and composite while recording QFHD, plus a salvage function for XAVC file is available***. The camcorder also records XAVC HD, AVCHD and DV with advanced network functions such as QoS Streaming in Network Client Mode and Ustream® direct streaming added via firmware version 3.0. The PXW-X70 gives users the ultimate balance between picture quality, advanced functionality and compact size.

This single-sided follow focus is designed to be used with DSLR cameras and other small camera rigs. It can be used with 15mm LWS rod setups. Two adjustable hard stops on the focus wheel to allow for accurate focus pulls. There’s also an adjustable damping knob so that you can adjust the hand wheel’s tension to your liking. It is made from aluminium alloy and ABS plastic.

he LVM-170A is the Full HD version of TVLogic's 17inch montoring solutions. This unit features a true 16:9 aspect ratio LCD panel with 1920x1080 resolution and 10-bit video processing performance allowing for faithful color reproduction and video scaling performance.