Hiykon Limited

System consists of dual receiver, handheld transmitter, aerial paddles and BNC cables. With option of handheld capsules.

The Shure receiver for the UR1M and the UR2 Transmitters to complete the system.

GX4816 is a 96kHz audio expander that provides high-input-count remote expansion for SQ, Avantis and dLive mixing systems, and for AHM audio matrix processors.

The ME Personal Mixing System puts the musician in control of their own monitor mix. Each performer can be given a tailored setup that works perfectly for them, whether they crave maximum control over the fine details of their mix or just want the minimum of keys to press. Operation is intuitive and elegant, with simple controls and clear visual feedback for instant familiarity. The system has earned respect for rugged reliability on the road, and of course, it lives up to Allen & Heath’s reputation for exceptional audio quality.

ME-U is a touring grade, 10 port PoE hub providing power and audio to multiple ME-1 and/or ME-500 personal mixers. ME-U’s default input card allows seamless integration with Allen & Heath dLive, Avantis, SQ, and Qu mixers. Fitting a Dante or MADI option card to the ME-U allows users of other pro digital mixer brands to feed up to 40 sources to ME-1s, or up to 16 sources to ME-500s.

The D2 Rack is the latest addition to the range of high sample rate racks. The compact 9U D2 rack has a fixed format 48 inputs with 16 outputs fitted as standard. The output count can be increased to 32 by populating the 2 spare 8 channel output slots with one or more of the 3 option modules – Line out , AES out or Aviom out (uses both slots).

Following on from Quantum 338, Quantum 225 brings the power of Quantum in a compact and robust worksurface. Quantum 225 incorporates all of the new design features introduced in 2020 with the Quantum 338, and of course uses three large-scale seventh generation FPGAs to continue the unrivaled Quantum legacy. The console merges tried and tested workflows with immense processing muscle, bold innovation and all of the Quantum features, giving you the ultimate tool set.

To get the most from the best in mixing console technology, you need the finest I/O rack available. So meet the DiGiCoSD Rack, delivering up to 192kHz high resolution analogue I/O converters and multiple digital formats including: MADI, AES, ADAT and Aviom. Based on nine years of digital touring experience with the D and SD Series consoles, we’ve completely redesigned the SD7’s new rack to provide a wealth of improvements to complement its state-of-the-art sample rate.

The SD11 is the smallest by far of all the DiGiCo consoles, though don't let that deceive you: this 19-inch rack mount or table top mixer is a very powerful solution that can be incorporated into pretty much any mixing environment; like its bigger brothers, the SD11 is also powered by Stealth Digital Processing and floating point Super FPGA technology, and transporting it couldn't be easier – just pop it on the back seat of the car. This easy-to-use mixer delivers extremely high performance at a staggeringly competitive price point.

The SD12 is set to raise the bar in terms of what users will now expect from a compact, affordable, multi- application digital console. Not only is SD12 a true sonic powerhouse, it also benefits from dual 15-inch touch screens, never before seen on a console in this price bracket, and is the first in the SD Range with built-in recording interfaces; which makes Virtual Soundchecking very straightforward indeed.

The Midas Heritage 1000 is a 44 stereo channel mixer with an additional 4 mono channels.

The Midas Heritage 3000 has 44 stereo channels and 4 mono channels

Live Digital Console with 48 Input Channels, 24 Midas Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate

The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision.