Blackbeam Cinematic

The S4.4 UHF range may be switched between four frequency channels, and may be used license-free in the UK on channel 70. Systems are available with belt-pack or handheld transmitters. Beltpacks can be switched for use with a microphone or musical instrument, and are available with lapel or aerobics headband microphone. Handheld transmitters are available with dynamic or condenser capsules. Since only four frequencies are available for use, only four S4.4 series transmitters can be used at once (if all are programmed to the same four frequencies) so the S4.4 range is appropriate for a site with up to four systems in use at one time or for where the likelihood of other users trying to use the same frequencies is considered acceptable. All the S4.4 range are supplied configured to use the standard UK Channel 70 frequencies; 863.150, 863.725, 864.150, 864.850MHz. The systems, transmitters and receivers can be supplied configured to use up to four frequencies in channels 62-64 or 67-69 on request. Please see UK Legal Radio Mic Frequency Guide. All transmitters meet fully with the requirements of ETSI 300-422/455, FCC part 74h.

DTM 600 series wireless microphones feature twin UHF belt pack or handheld systems with 80 selectable frequencies allowing up to eight channels (four systems) to be operated with a clear CH38 environment. 606-614Mhz, system utilises a true diversity, full width receiver for the ultimate in RF stability. Outstanding vocal reproduction and stable wireless connectivity allow freedom of movement on stage. These systems offer crystal clear sound reproduction and rock solid reliability. Metal bodied transmitters feature ergonomic design with a rugged housing to stand up to the rigours of the road. Phase Lock Loop (PLL) IR sync facility for simple setup True diversity receiver 606-614Mhz - 80 frequencies Large LCD receiver display including RF level, AF level, channel and frequency LCD transmitter display Removable BNC antennae Auto frequency scanning Balanced XLR output for each channel plus unbalanced mixed output Frequency response (handheld): 40Hz-15kHz Audio output level: 400mV Dynamic range: 96dB Full width rack mount receiver Up to 4 DTM 600 systems can be used simultaneously. https://www.prolight.co.uk/product_manual/MIC72V2_Series_Manual.pdf

6-channel DJ mixer with built-in beat-syncable effects Two independent filter sections with LFOs Built-in USB interface makes it easy to use your computer's music library Ultra-smooth faders make performance easy and fluid 4-band EQ with kill filters for more performance/transition possibilities Comprehensive level meters help you optimize your signal levels

The Soundweb London BLU-100 offers a fixed configuration of 12 inputs and 8 outputs, configurable signal processing and a high bandwidth, fault tolerant digital audio bus. Comes mounted in a Rack Case with XLR, powercon and Ethernet ports on rack panel.

A classic mixer the Citronic CDM10:4 has always been the choice of the working DJ, with a simple layout that is packed with all the features you need. The MK5 version comes with connectivity through USB, and an additional auxiliary input on the top panel for external sound sources such as MP3 player. 4 channel, 17 inputs 2 dedicated balanced mic channels with 3-band EQ Fully featured mic override facility for use with radio mics 2 auxiliary mics on channels 1 and 2 2 phono inputs switchable to line level inputs 8 CD/Line inputs plus 2 switchable 3.5mm Aux input on top panel for external sound sources such as an MP3 player 2 USB input/outputs on channels 3 and 4 Fully assignable VCA crossfader Punch buttons Hotswap channel faders allow changing in seconds Individual gain control per channel 3-Band EQ with total Kill Fully assignable send and return 10-Bar LED monitor display 12V BNC light socket Booth output Balanced XLR and unbalanced phono outputs Back panel can be positioned on rear or underside of mixer for install 19'' (6U) rack mountable

The CX163 is ideal for leisure, licensed and retail venues providing six stereo line level inputs, one microphone input with paging mic for each zone. The CX163 has 2 stereo zone outputs + 1 mono utility output (ideal for utility areas such as toilets and foyers). Music level can be controlled remotely by the RL-1 on both stereo zones and when operating in mono, each zone can be split into two sub-zones each with its own remote level control (RL-1). Once installed this compact 1U unit is extremely simple and convenient to operate.

VLZ4 ups the level of sonic quality at every level, featuring Mackie's flagship Onyx mic preamps and premium components from front to back. The result is the most rock solid, the most easy to use and, yes, the best sounding compact mixer ever created.

As a computer interface, optical-to-analog expander, or stand-alone mixer, the 24Ao provides 24 analog outputs and three 8-channel banks of ADAT optical digital input and output. Send line level outputs to a variety of analog destinations, including mixing desk inputs, studio monitors, surround speakers, or line arrays. Route and process any outputs using the professional on-board digital mixer — with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 4-band parametric EQ, modeled vintage compression, and gating.

8 in 10 out Firewire Audio Interface

The AudioBox USB’s two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

An excellent desk that is equally at home at the heart of a beginner's setup or as a sub‑mixing facility in a more complex audio arrangement. It would also be the ideal companion in a church hall or amateur dramatics venue, where cost and ease of use are paramount. Mic Input Impedance 1.8k Ω Line Input Impedance 10k Ω Stereo Input Impedance (unbalanced phono) 12kΩ Stereo Input Impedance (balanced jack) 10k Ω Aux Sends & Inserts 75Ω Mic Input max. level +22dBu Line Input max. level greater than 30dBu Stereo Input max. level greater than 30dBu Headphones (into 200Ω) 150mW Frequency Response (any input to any output, 20Hz to 30kHz) less than 1dB THD at 1kHz (+20dB at all outputs) less than 0.006% Mic EIN (max gain, 20Hz to 20kHz bandwidth,150 Ω source impedance) ‑129dBu Channel noise (auxs, mix and masters at max, 10 inputs routed, faders/pots down) better than 85dBu

This amazing entry level mixer comes with enough features to ensure that any beginner DJ has more than enough room to grow. Suitable for all musical styles, including scratch, the VESTAX VMC-004 comes with 4 channels each with a 3 band ISOLATOR and one of the smoothest crossfaders available. Product Description Entry level mixer upgradeable with Vestax PCV crossfader Multi use facilities: Mobile, bedroom and hobby 3 band full Isolator with the renowned Vestax sound on channel 1+2 Portable and rugged metal chassis with ironblue frontpanel Vestax double panel design with user replaceable crossfader and you are able to replace it by either a standard Vestax crossfader CF-R; CF-RUS or the short way crossfader CF-S (20mm) But most important is that you can replace by the top level PCV-crossfader CF-PCV.

Ample input capacity and hands-on control in a compact console that can handle a wide range of applications. 25 motor faders (24 channels + 1 master) 48 input mixing channels (40 mono + 2 stereo + 2 return) 20 Aux (8 mono + 6 stereo) + Stereo + Sub buses 8 DCA groups with Roll-out 24 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs. 16 analog XLR outputs 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device 8 Effects and 10 GEQ 1 expansion slot with NY64-D audio interface card fitted

Take your sound new heights with the high-speed, high-resolution, low-latency, and ultra-portable UAC-2 SuperSpeed USB 3.0 Audio converter. The bus-powered UAC-2 adds two channels of 24-bit/192 kHz high-resolution audio to any USB 2.0 or 3.0-equipped Windows or Mac computer—even to your iPad.* It utilizes SuperSpeed USB 3.0 technology for low latency and includes advanced features such as 4x upsampling, Loopback, and MIDI I/O. Plug in any microphone, line-level device, or instrument and use the UAC-2 for onstage playback, recording to a DAW, or enjoyment of high-res audio in your home or office. You can also use it for fast, low-latency podcasting, gaming, and other live streaming applications.

Dante AVIO Analog Adapters let you use your favorite analog audio gear with any Dante-connected system, delivering the interoperability, performance and scalability that only networking can bring. Cost effective, compact and built for the road, Dante AVIO adapters bring the modern network connectivity that every audio pro needs in their toolbox.

Adds Bluetooth to any audio system. Balanced XLR and unbalanced 1/4-inch audio outputs. Up to 33m (100 ft) range. Discreet, robust build quality that can mount nearly anywhere.

Miniature 20W + 20W Stereo Amplifier with Amazing Extra Bass

The Listen EVERYWHERE LW-100P-02 is an affordable and reliable way to deliver 2 channels of zero latency audio to audiences of up to 1000. Listen EVERYWHERE is a simple and cost-effective solution for assistive listening, language interpretation, and streaming TV or video audio. The multiple-channel audio is delivered directly to guests’ smartphones through a free, fully customizable app. You and your guests will love the system for its low latency, simplicity, audio quality, and flexibility. We use this system to deliver sound at outdoor and event cinemas, and is just as useful as an assistive listening system for houses of worship, theatres and sports venues and events, it can deliver interpretation and deliver audio choice from multiple simultaneous sources such as a sports bar. Connect to the included Wi-Fi network and stream low latency audio directly to guests’ devices using the free mobile app. Cloud-based management allows for simple management of the server and listening devices, including supporting custom welcome message videos or logos, sliding banners, and more, all providing another point of contact with your clients and customers. Experience great quality audio and industry leading low latency audio at your venue with a 2 channel Wi-Fi Audio Server. https://www.listentech.com/wp-content/uploads/2021/04/Listen-Everywhere-Brochure-Trifold-A4_K3_WEB-compressed.pdf

The W Audio NL4 SpeakON Splitter Box is crafted to enable the connection of multiple speaker cabinets to a single amplifier channel. The splitter's internal wiring connects all four pins in parallel (1+ to 1+, 1- to 1-, 2+ to 2+, 2- to 2-). This adaptor box features authentic Neutrik® SpeakON® NL4 sockets to guarantee dependability during use. It is recommended to use speaker leads equipped with Neutrik® SpeakON® connectors with this adaptor.

Rackmountable CD player with iPod Dock XLR balanced output. High-quality CD transport Stereo mini jack input for any music player connection iPod Dock Connector for audio and video playback and control