Blackbeam Cinematic

Switchable input attenuation 0dB for guitar-type pickups -20dB for line level signals -40dB for speaker feeds • Matches the level and impedance with unity gain without loading the source • Can drive signals up long cable lengths • Powered from console phantom power or internal battery • Automatic switchover to battery if phantom power fails • Parallel Link Jack output to feed amplifiers directly • Parallel XLR input for converting unbalanced outputs to balanced lines The audio signal path of the AR-133 is an enhanced design based upon the long established BSS AR-116, now regarded by many as a reference unit. The sound quality, particularly on acoustic guitar and bass guitar pick-ups,

CCM1

The RTA-M is an omni-directional, flat frequency measurement microphone specially designed to pick up all frequencies from 20 Hz to 20 kHz , ensuring accurate "pinking"/real-time analysis of your audio. It runs on phantom power (supplied by the Driverack units) and comes with a clip and case.

In metal housing Max. input level +10/ +50 dBu Ground/ lift switch With integrated switchable resistor network for extremely high input level (e.g. guitar box) XLR output

TX-2 The JTS TX-2 Dynamic Supercardioid Microphone provides articulated bass response for the miking of Kick Drums and other low frequency instruments such as Bass Guitar Amps. With an internal pneumatic shock mount to drastically reduce unwanted vibrations and noise. Along with the extremely rugged mic body and the built in adjustable locking stand adapter, the TX - 2 offers professional performance at a reasonable cost.

TX-6 The JTS TX-6 Dynamic Microphone is specifically designed for close miking of snare drums, tom - toms, percussion instruments, guitar amplifiers, brass and woodwind instruments and various other acoustic instruments in live performance or in recording studio applications. The TX-6’s supercardioid pickup pattern offers superior rejection of undesired sound sources and delivers high gain before feedback.

The Gravity MSTM 1 B microphone clamp can be clamped to tables and desks with a maximum plate thickness of 45 mm. It is made of 4 mm thick steel with a 3/8 inch screw thread for mounting microphone clips or goosenecks. The plastic end of the grippy adjusting screw protects against scratches.

The C02 Pencil Condenser Microphones are a high-quality solution for capturing every detail of your sound. With a cardioid polar pattern, the C02s pick up sound in front of the microphone while providing isolation from behind. Sold as a matched pair, they are perfect for stereo recording ensembles or as overheads for drums. Their versatility makes them ideal for use on set or in the field, allowing you to capture clear, accurate dialogue audio for your video projects.

Beta 58A

C606

SM57

SM58

This pair of cardioid-pattern ‘pencil’ condensers will deliver superbly accurate and consistently reliable results across a multitude of stereo miking applications, whether you’re working in the studio, at home or in a live sound environment. Ideal for acoustic guitar, ukulele, piano, string ensemble, drumkit, choir, houses of worship, jazz club, symphony orchestra or even field recordings out in the open air, the STC-1S stereo pair will capture your source with perfect clarity. Regularly outclassing mics that cost many times more, these mics are absolute must-haves! and easy way to expand your mic locker and extend your recording capabilities.

The S4.4 UHF range may be switched between four frequency channels, and may be used license-free in the UK on channel 70. Systems are available with belt-pack or handheld transmitters. Beltpacks can be switched for use with a microphone or musical instrument, and are available with lapel or aerobics headband microphone. Handheld transmitters are available with dynamic or condenser capsules. Since only four frequencies are available for use, only four S4.4 series transmitters can be used at once (if all are programmed to the same four frequencies) so the S4.4 range is appropriate for a site with up to four systems in use at one time or for where the likelihood of other users trying to use the same frequencies is considered acceptable. All the S4.4 range are supplied configured to use the standard UK Channel 70 frequencies; 863.150, 863.725, 864.150, 864.850MHz. The systems, transmitters and receivers can be supplied configured to use up to four frequencies in channels 62-64 or 67-69 on request. Please see UK Legal Radio Mic Frequency Guide. All transmitters meet fully with the requirements of ETSI 300-422/455, FCC part 74h.

DTM 600 series wireless microphones feature twin UHF belt pack or handheld systems with 80 selectable frequencies allowing up to eight channels (four systems) to be operated with a clear CH38 environment. 606-614Mhz, system utilises a true diversity, full width receiver for the ultimate in RF stability. Outstanding vocal reproduction and stable wireless connectivity allow freedom of movement on stage. These systems offer crystal clear sound reproduction and rock solid reliability. Metal bodied transmitters feature ergonomic design with a rugged housing to stand up to the rigours of the road. Phase Lock Loop (PLL) IR sync facility for simple setup True diversity receiver 606-614Mhz - 80 frequencies Large LCD receiver display including RF level, AF level, channel and frequency LCD transmitter display Removable BNC antennae Auto frequency scanning Balanced XLR output for each channel plus unbalanced mixed output Frequency response (handheld): 40Hz-15kHz Audio output level: 400mV Dynamic range: 96dB Full width rack mount receiver Up to 4 DTM 600 systems can be used simultaneously. https://www.prolight.co.uk/product_manual/MIC72V2_Series_Manual.pdf

6-channel DJ mixer with built-in beat-syncable effects Two independent filter sections with LFOs Built-in USB interface makes it easy to use your computer's music library Ultra-smooth faders make performance easy and fluid 4-band EQ with kill filters for more performance/transition possibilities Comprehensive level meters help you optimize your signal levels

The Soundweb London BLU-100 offers a fixed configuration of 12 inputs and 8 outputs, configurable signal processing and a high bandwidth, fault tolerant digital audio bus. Comes mounted in a Rack Case with XLR, powercon and Ethernet ports on rack panel.

A classic mixer the Citronic CDM10:4 has always been the choice of the working DJ, with a simple layout that is packed with all the features you need. The MK5 version comes with connectivity through USB, and an additional auxiliary input on the top panel for external sound sources such as MP3 player. 4 channel, 17 inputs 2 dedicated balanced mic channels with 3-band EQ Fully featured mic override facility for use with radio mics 2 auxiliary mics on channels 1 and 2 2 phono inputs switchable to line level inputs 8 CD/Line inputs plus 2 switchable 3.5mm Aux input on top panel for external sound sources such as an MP3 player 2 USB input/outputs on channels 3 and 4 Fully assignable VCA crossfader Punch buttons Hotswap channel faders allow changing in seconds Individual gain control per channel 3-Band EQ with total Kill Fully assignable send and return 10-Bar LED monitor display 12V BNC light socket Booth output Balanced XLR and unbalanced phono outputs Back panel can be positioned on rear or underside of mixer for install 19'' (6U) rack mountable

The CX163 is ideal for leisure, licensed and retail venues providing six stereo line level inputs, one microphone input with paging mic for each zone. The CX163 has 2 stereo zone outputs + 1 mono utility output (ideal for utility areas such as toilets and foyers). Music level can be controlled remotely by the RL-1 on both stereo zones and when operating in mono, each zone can be split into two sub-zones each with its own remote level control (RL-1). Once installed this compact 1U unit is extremely simple and convenient to operate.

VLZ4 ups the level of sonic quality at every level, featuring Mackie's flagship Onyx mic preamps and premium components from front to back. The result is the most rock solid, the most easy to use and, yes, the best sounding compact mixer ever created.