Blackbeam Cinematic

C1000

Switchable input attenuation 0dB for guitar-type pickups -20dB for line level signals -40dB for speaker feeds • Matches the level and impedance with unity gain without loading the source • Can drive signals up long cable lengths • Powered from console phantom power or internal battery • Automatic switchover to battery if phantom power fails • Parallel Link Jack output to feed amplifiers directly • Parallel XLR input for converting unbalanced outputs to balanced lines The audio signal path of the AR-133 is an enhanced design based upon the long established BSS AR-116, now regarded by many as a reference unit. The sound quality, particularly on acoustic guitar and bass guitar pick-ups,

CCM1

The RTA-M is an omni-directional, flat frequency measurement microphone specially designed to pick up all frequencies from 20 Hz to 20 kHz , ensuring accurate "pinking"/real-time analysis of your audio. It runs on phantom power (supplied by the Driverack units) and comes with a clip and case.

In metal housing Max. input level +10/ +50 dBu Ground/ lift switch With integrated switchable resistor network for extremely high input level (e.g. guitar box) XLR output

TX-2 The JTS TX-2 Dynamic Supercardioid Microphone provides articulated bass response for the miking of Kick Drums and other low frequency instruments such as Bass Guitar Amps. With an internal pneumatic shock mount to drastically reduce unwanted vibrations and noise. Along with the extremely rugged mic body and the built in adjustable locking stand adapter, the TX - 2 offers professional performance at a reasonable cost.

TX-6 The JTS TX-6 Dynamic Microphone is specifically designed for close miking of snare drums, tom - toms, percussion instruments, guitar amplifiers, brass and woodwind instruments and various other acoustic instruments in live performance or in recording studio applications. The TX-6’s supercardioid pickup pattern offers superior rejection of undesired sound sources and delivers high gain before feedback.

The Gravity MSTM 1 B microphone clamp can be clamped to tables and desks with a maximum plate thickness of 45 mm. It is made of 4 mm thick steel with a 3/8 inch screw thread for mounting microphone clips or goosenecks. The plastic end of the grippy adjusting screw protects against scratches.

The C02 Pencil Condenser Microphones are a high-quality solution for capturing every detail of your sound. With a cardioid polar pattern, the C02s pick up sound in front of the microphone while providing isolation from behind. Sold as a matched pair, they are perfect for stereo recording ensembles or as overheads for drums. Their versatility makes them ideal for use on set or in the field, allowing you to capture clear, accurate dialogue audio for your video projects.

Beta 58A

C606

SM57

SM58

This pair of cardioid-pattern ‘pencil’ condensers will deliver superbly accurate and consistently reliable results across a multitude of stereo miking applications, whether you’re working in the studio, at home or in a live sound environment. Ideal for acoustic guitar, ukulele, piano, string ensemble, drumkit, choir, houses of worship, jazz club, symphony orchestra or even field recordings out in the open air, the STC-1S stereo pair will capture your source with perfect clarity. Regularly outclassing mics that cost many times more, these mics are absolute must-haves! and easy way to expand your mic locker and extend your recording capabilities.

The S4.4 UHF range may be switched between four frequency channels, and may be used license-free in the UK on channel 70. Systems are available with belt-pack or handheld transmitters. Beltpacks can be switched for use with a microphone or musical instrument, and are available with lapel or aerobics headband microphone. Handheld transmitters are available with dynamic or condenser capsules. Since only four frequencies are available for use, only four S4.4 series transmitters can be used at once (if all are programmed to the same four frequencies) so the S4.4 range is appropriate for a site with up to four systems in use at one time or for where the likelihood of other users trying to use the same frequencies is considered acceptable. All the S4.4 range are supplied configured to use the standard UK Channel 70 frequencies; 863.150, 863.725, 864.150, 864.850MHz. The systems, transmitters and receivers can be supplied configured to use up to four frequencies in channels 62-64 or 67-69 on request. Please see UK Legal Radio Mic Frequency Guide. All transmitters meet fully with the requirements of ETSI 300-422/455, FCC part 74h.

DTM 600 series wireless microphones feature twin UHF belt pack or handheld systems with 80 selectable frequencies allowing up to eight channels (four systems) to be operated with a clear CH38 environment. 606-614Mhz, system utilises a true diversity, full width receiver for the ultimate in RF stability. Outstanding vocal reproduction and stable wireless connectivity allow freedom of movement on stage. These systems offer crystal clear sound reproduction and rock solid reliability. Metal bodied transmitters feature ergonomic design with a rugged housing to stand up to the rigours of the road. Phase Lock Loop (PLL) IR sync facility for simple setup True diversity receiver 606-614Mhz - 80 frequencies Large LCD receiver display including RF level, AF level, channel and frequency LCD transmitter display Removable BNC antennae Auto frequency scanning Balanced XLR output for each channel plus unbalanced mixed output Frequency response (handheld): 40Hz-15kHz Audio output level: 400mV Dynamic range: 96dB Full width rack mount receiver Up to 4 DTM 600 systems can be used simultaneously. https://www.prolight.co.uk/product_manual/MIC72V2_Series_Manual.pdf