Blackbeam Cinematic

The DTD 4X1.3 Amplifier is designed to power the ID and PS series of NEXO loudspeakers. This amplifier also comes with the DTD-T Controller which allows you to select which configuration of NEXO speaker setup you require. The 4X1.3 Amplifier has 4 channels delivering 1300W at 4ohms each, and the channels can be independently bridged across 2 channels. Specifications: Four amplifier channels, two by two bridgeable Output power: 4x 1300W at 4Ω 4x 750W at 8Ω 2x 2600W at 8Ω, bridged Two balanced XLR inputs Two NL-4 outputs Two XLR link outputs Remote Controlled via Mini-USB Key Features: Power Input: PowerCON Transport Size: 2u rack Transport Weight: 25kg

The DTD delivers advanced speaker control processing taken from the NEXO NXAMP in a compact, rack-mounting device. Providing sophisticated control over crossover, EQ and time-alignment along with speaker protection, the DTD is very easy to use, with automatic amplifier sensing and simple Sub Gain, Main Gain and Crossover Mode control available directly from the front panel (DTD-T touring version). The DTD combines efficient speaker processing with a flexible range of inputs including stereo balanced analog inputs, an AES input and a USB port enabling direct driverless audio playback from laptops, etc. An optional DanteTM input is also available.

NEXO’s expertise in DSP control for high-performance loudspeakers is unparalleled in the sound reinforcement industry. And Yamaha has an unrivalled heritage in developing highly efficient and reliable power amplification devices. So when the two collaborate to create a new range of powered controllers, the result is sure to be something special. Rated at 4 X 1300 Watts, the NXAMP4X1MK2 combines advanced signal processing with four state-of-the-art Class D amplifiers to create a flexible, light-weight powering and control solution for NEXO loudspeaker systems.

4-channel power amplifier integrating lightweight power supplies, high power sonically transparent class D amplifiers, full system monitoring (including end of line) and fully featured USB or network controlled 24 bit 96kHz DSP processing platform provided onboard as standard. It contains four 1250W channels of class D amplification, providing significant benefits in efficiency and power density over conventional amplifier types.

Stereo output @ 2*Ohm: 1250W x 2 Stereo output @ 4*Ohm: 900W x 2 Stereo output @ 8*Ohm: 540W x 2 Bridge output @ 4*Ohm: 2500W Bridge output @ 8*Ohm: 1800W Frequency response: 20Hz - 25kHz, Signal to noise ratio: 107dB Protection: DC and thermal overload, Input connectors: Balanced XLR Output connectors: Neutrik speakON and binding post Fan cooled, Ground lift, Low cut filter, Filters/crossover: High pass and low pass Switchable stereo, parallel and bridge: Other features: Full range line out, circuit breaker protection and heavy duty welded steel chassis

The Zenith amplifier range from W Audio has been designed and engineered to work in any demanding installation or touring environment with military endurance. Input Connectors: Balanced XLR, High pass line out , Low pass line out ,Full range line out, Output connectors: Neutrik Speakon & Binding post, Bypass: Low pass filter - High pass filter, Stereo, Parallel and Bridge, Circuit Breaker Protection Output Per Channel, 1600W @ 4 Ohms 1000W @ 8 Ohms.

C1000

Switchable input attenuation 0dB for guitar-type pickups -20dB for line level signals -40dB for speaker feeds • Matches the level and impedance with unity gain without loading the source • Can drive signals up long cable lengths • Powered from console phantom power or internal battery • Automatic switchover to battery if phantom power fails • Parallel Link Jack output to feed amplifiers directly • Parallel XLR input for converting unbalanced outputs to balanced lines The audio signal path of the AR-133 is an enhanced design based upon the long established BSS AR-116, now regarded by many as a reference unit. The sound quality, particularly on acoustic guitar and bass guitar pick-ups,

CCM1

The RTA-M is an omni-directional, flat frequency measurement microphone specially designed to pick up all frequencies from 20 Hz to 20 kHz , ensuring accurate "pinking"/real-time analysis of your audio. It runs on phantom power (supplied by the Driverack units) and comes with a clip and case.

In metal housing Max. input level +10/ +50 dBu Ground/ lift switch With integrated switchable resistor network for extremely high input level (e.g. guitar box) XLR output

TX-2 The JTS TX-2 Dynamic Supercardioid Microphone provides articulated bass response for the miking of Kick Drums and other low frequency instruments such as Bass Guitar Amps. With an internal pneumatic shock mount to drastically reduce unwanted vibrations and noise. Along with the extremely rugged mic body and the built in adjustable locking stand adapter, the TX - 2 offers professional performance at a reasonable cost.

TX-6 The JTS TX-6 Dynamic Microphone is specifically designed for close miking of snare drums, tom - toms, percussion instruments, guitar amplifiers, brass and woodwind instruments and various other acoustic instruments in live performance or in recording studio applications. The TX-6’s supercardioid pickup pattern offers superior rejection of undesired sound sources and delivers high gain before feedback.

The Gravity MSTM 1 B microphone clamp can be clamped to tables and desks with a maximum plate thickness of 45 mm. It is made of 4 mm thick steel with a 3/8 inch screw thread for mounting microphone clips or goosenecks. The plastic end of the grippy adjusting screw protects against scratches.

The C02 Pencil Condenser Microphones are a high-quality solution for capturing every detail of your sound. With a cardioid polar pattern, the C02s pick up sound in front of the microphone while providing isolation from behind. Sold as a matched pair, they are perfect for stereo recording ensembles or as overheads for drums. Their versatility makes them ideal for use on set or in the field, allowing you to capture clear, accurate dialogue audio for your video projects.

Beta 58A

C606

SM57

SM58

This pair of cardioid-pattern ‘pencil’ condensers will deliver superbly accurate and consistently reliable results across a multitude of stereo miking applications, whether you’re working in the studio, at home or in a live sound environment. Ideal for acoustic guitar, ukulele, piano, string ensemble, drumkit, choir, houses of worship, jazz club, symphony orchestra or even field recordings out in the open air, the STC-1S stereo pair will capture your source with perfect clarity. Regularly outclassing mics that cost many times more, these mics are absolute must-haves! and easy way to expand your mic locker and extend your recording capabilities.