AB Lighting Ltd

AR2412 is a 48kHz, 24 XLR input, 12 XLR output AudioRack, compatible with Qu, Avantis and SQ mixers, and with the AHM-64 audio matrix processor. Adding an AR2412 to your system lets you position some or all of your I/O up to 100m from the mixer, connected over a single Cat5 cable running Allen & Heath’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable.

With the ULTRA-DI DI100, you can rest assured that your sound source will reach the console balanced and noise-free. The ultra-versatile DI100 active DI (Direct Injection) box gives you unparalleled functionality, durability and sound at a truly remarkable price. Put the ULTRA-DI DI100 in your signal chain today and discover the authentic sound of your instrument.

The FCS 966 is a two channel graphic equalizer that provides a generous +/-15dB of control range on each of 30 constant Q frequency bands. For optimum performance, each filter band is arranged to be out of circuit if it's sliders are left in the centre of its travel, and thus does not contribute unnecessary noise or distortion.

• Simultaneous 10 input/10 output at 24-bit/96 kHz • Up to 6 input/6 output at 24-bit/192 kHz • Two Professional Grade Mic Preamps with independent sensitivity control • One Hi-Z input for Guitar or Instrument input • Analog Limiter • Balanced I/O with +4 or -10 dBu Selectable Gain on stereo input • S/PDIF Optical I/O with Digital Sync indicator • MIDI I/O • Zero Latency, Direct Monitoring • Powerful Low Latency Driver Performance with WDM, ASIO 2.0 and Core Audio Support • Software controlled internal Mixer and Patch bay • Solid Metal Construction in a half-rack frame

A veritable tool box of dynamics processing, SQ1D provides 8 channels of either compression or gating in a compact 3U high rack unit. This tightly integrated form factor allows the channels to be used together with ease, and includes highly flexible options for channel linking and side chain filtering and monitoring. SQ1D features multiple compression modes with combinations of RMS and Peak sensing and Hard and Soft Knee characteristics, ideal for both corrective and creative dynamics processing. In conjunction with the fully-featured noise gate and side chain options, one SQ1D can replace multiple other dynamics processors with considerable savings in space, weight and cost, with the confidence of knowing that whatever the application, SQ1D is more than capable of providing the required dynamic control of signal levels.

The DX1 is a compact and powerful DSP based audio-processing unit ideally suited for live applications and fixed installations. To achieve this the DX1 has 2 inputs and 6 outputs, which can be configured in 5 basic modes,2x2way,2x3way,4way,5wayand6waycrossover. Each input has adjustable gain and delay, each output consists of a high and lowpass filter, 5 bands of parametric equalisation, limiter, delay (adjustable in 2.6ms steps), gain and polarity controls.

The Yamaha SPX990 is industry standard and found in front-of-house racks all over the world. As well as excellent sound quality and versatile programming it also has the advantages, for live sound, of patch storage on an optional removable card and pre-selection of patches. From the owner's manual: "The Yamaha SPX990 offers 80 preset effect programs including accurate simultaneous natural reverberation and early reflections, delay and echo effects, gated effects, a versatile compressor, delay harmonic driver, multiple effects, freeze (sampling) programs which can do loop playback and others.