The KSM137 is a premium cardioid condenser instrument microphone with a switchable pad and low frequency filter.

The Beta 98/S condenser microphone is precision-engineered for high-SPL instrument applications. Its supercardioid polar pattern provides maximum isolation from other onstage sounds.

The D6 is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance.

Dynamic cardioid instrument microphone. Designed for drums and percussion. Compact with clip to attach to the rims of toms and snares. Excellent sound profiling, adapts to all percussive styles. Robust metal casing.

The premier UR2 transmitter with the legendary Beta 58A offers excellent sound for professional vocal performances.

The Beta 87A on the UR2 transmitter features the Beta 87A supercardioid condenser microphone head which gives you studio quality sound and is tailored for lead vocals for live performance. It also provides maximum isolation from other onstage sounds.

The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone, with premium components for exceptional stage and studio performance applications.

The Beta 27 is unique in the industry as the only side-address, supercardioid condenser mic designed for professional sound reinforcement.

The KSM32 is a premium condenser microphone which features an extremely flat, extended frequency response to provide a perfectly transparent or neutral reproduction of the sound source.

The D2 is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 will perform interference-free.

With a wide frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.

The KSM9 with the UR2 transmitter features the KSM9 cardioid/supercardioid condenser vocal microphone head which captures vocal subtlety with extraordinary detail to deliver clear articulation and precise vocal reproduction for live performance.

Premier Wireless Technology.Shure UHF-R® Wireless Microphone Systems master the high pressure and extreme conditions of any large-scale touring or installations environment while delivering uncompromising Shure sound. Rock-solid engineering, the latest technology, and unparalleled RF performance provide sound professionals with all the features and flexibility they need to tightly control up to 108 systems for the most elaborate productions.

The PSM 900 In-Ear Personal Monitoring System from Shure offers a clear and accurate audio quality and robust RF performance. Innovative features allowing for ease of use and quick setup make it the ideal solution for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button. Precision front-end RF filtering significantly reduces dropouts from RF interference.

Weighing only 2.2 oz without batteries, the UR1M Micro-Bodypack Transmitter is the most compact bodypack available from Shure. It works with headworn, lavalier, and instrument microphones and cables. Its removable antenna provides additional flexibility, and a threaded connector securely locks microphone or instrument cables. Other advanced features include a multi-function bit-mapped LCD, frequency and power lockout and infrared automatic transmitter sync. The UR1 can be used continuously for up to 9 hours using 2 x AAA lithium batteries. (6 hours using alkaline or NiMH)

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The Beta 91A is optimised for kick drums, as well as traditional low end applications including piano. It uses a half-cardioid condenser boundary microphone with an integrated XLR preamplifier that is tailored for a strong low-end response. It has a two-position contour switch for optimised sound signature depending on application.

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Please call for info.

Please call for info.