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Yamaha PM3 RIVAGE Control Surface CS-R3 with 15" capacitance type touch panel and 38 faders with the DSP-RX engine gives 120 Inputs, 24 matrices, 48 mix buses, 384 plug-in instances, Bracasti reverb.

Yamaha 1608-D is 16 input, 8 analogue output digital Stage box with Dante connectivity providing excellent sound quality with Dante redundancy.

Yamaha 3224-D is 32 input, 16 analogue output plus 4 x AES output digital Stage box with Dante connectivity providing excellent sound quality and Dante redundancy for secure connectivity.

Yamaha's industry workhorse along with the QL1, the QL5 is one of the most requested items on any Conference, Live Band or Corporate Event. Great sound quality, loads of facilities in a reliable compact package. Dante networking capability allows for Rio I/O racks to expand on the onboard 32 XLR inputs and 16 outputs.

Yamaha CL5 Digital Mixing Console with 72 Mono + 8 Stereo Input Channels, 8 Matrices, 24 Mix Buses and Dante Input/Output.

Yamaha 3224-D2 is 32 input, 16 analogue output plus 4 x AES output digital Stage box with Dante connectivity providing excellent sound quality and Dante redundancy. It also boasts two internal PSUs for surefire reliability.

Compatible with the PM3 and all the RIVAGE series, the DSP-RX is a powerful DSP engine that serves as the core for signal processing and system control required. Superior capability of processing digital audio signals of up to 120 input, 48 MIX, 24 MATRIX, and two STEREO channels.

The Digico SD9 has a small footprint but superb sound quality akin to Digico's larger flagship consoles, with 7th generation FPGA technology and Stealth Digital Processing. Console has a maximum input count of 96 at either 48kHz or 96 kHz and 12 digital effects.

The Digico SD11i has a small footprint but superb sound quality akin to Digico's larger flagship consoles, with 7th generation FPGA technology and Stealth Digital Processing. Console has a maximum input count of 48 at either 48kHz or 96 kHz and 6 digital effects.

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The M-48 is the next generation live personal mixer that offers musicians the flexibly to control exactly what they want to listen to during their performances. It provides the highest level of sound monitoring quality for both headphones and IEMs (In-Ear Monitors) as well as for wedge and powered monitors. The superb sound quality creates the ideal monitoring environment for live performance and recording as well as studio applications.

With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.

The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor.

The Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033/5043 created in cooperation with Rupert Neve, to shape and create as required.

The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.

The Roland M-5000 console’s internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses. This allows you to essentially “build” a console structure based on the immediate needs of the application. This makes for a console that accommodates high levels of flexibility for precise response to dynamically changing applications and venues

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