1.6-inch thick SORBER sound absorption baffles outperform the industry standard 1-inch thick baffles by at least 50%, and are especially efficient at absorbing lower frequencies.

48-inch high A2448 CSP are commonly used on drum kits that have lower cymbals or when communication between musicians out-weighs higher coverage. 128.0 x 67.0 x 8.0 cm

This 3-section SORBER LidPac is our best seller and is similar to the SL7248 but extends a full 66 inches deep for maximum sound reduction. Fitting a 5 panel screen.

High-performance large-diaphragm condenser microphone. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect.

AKG C414B-ULS is a Large diaphragm microphone with four selectable polar patterns. Switchable 0, — 10. — 20 dB pre-attenuation and bass roll-off (75 and 150 Hz, 12 dB/octave). This is ideal for vocal and instrument recording.

AKG C535 EB reference handheld condenser vocal microphone. It provides the ultimate combination of excellent, highly detailed audio and exceptional ruggedness.

High Performance Cardioid Condenser Microphone. It is the ideal choice for critical live and studio broadcast applications where consistent suppression of off-axis sound is required. Fits SE 300B.

High Performance Shotgun Condenser Microphone. The small size and low weight make the CK98 ideal for boom applications. The smooth, wide-band frequency response makes it a superb choice for edge-of-stage and ceiling placement in theatres. Fits SE 300B.

The ATM350 is a low profile cardioid condenser microphone designed to clip to brass, upright bass, reeds, piano, snare, toms, and violin.

Condenser Boundary Microphone with Super Cardioid Characteristics.

Vocal Microphone with Supercardioid Characteristics. Which is equipped with a true condenser microphone capsule offering the superior clarity and quality.

The KM 184 is small cardioid condenser microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments. Soloist or group ensembles.

Electret condenser microphone with super-cardioid pickup. Rugged, for live performance and lead vocals with natural, detailed sound.

Permanently Polarized Condenser Microphone with a Super-cardioid Characteristic for Vocals.

Detachable-Capsule Boundary Condenser Microphone.

Snare and tom microphone delivers a tailored frequency response and high gain-before-feedback, and consists of an A98D Drum Mount.

Miniature instrument microphone delivers high gain-before-feedback and excellent rejection of unwanted noise due to its cardioid pickup pattern.

Cardioid condenser vocal microphone offers a dual diaphragm and switchable polar patterns to deliver precise vocal reproduction for live performance.

Cardioid condenser instrument microphone offers a wide frequency response and low self-noise.

Small Diaphragm Condenser Microphone which excels in its uses as a microphone for strings, acoustic guitars and pianos.